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Alien Evidence: Has the hard evidence been here all along?

In the more than 70 years since pilot Kenneth Arnold first sighted a strange formation of nine

shiny airborne objects near Mount Rainier in Washington State, usually cited as the beginning of the

modern UFO era, skeptics have relentlessly claimed that no “hard evidence” for the UFO phenomenon

has ever been produced. Sightings, they claim, tend to happen in backwoods swamps where no credible

witnesses are present and no reliable photos are taken. How can you prove the existence of something

with only thin air with which to argue your case?

But a new book from the recently formed publishing imprint Zontar Press dares to differ. The

long overdue tome is called “Alien Artifacts: Incredible Evidence of Exotic Material from UFO

Encounters.” Drawing on the contributions of more than ten topnotch researchers, work on the book

began some months before the untimely passing of publisher, editor and author Timothy Green Beckley,

to whom the completed work is fondly dedicated.


Beckley’s initial concept was deceptively simple: We know that throughout the last several

decades, UFOs have landed or crashed, their occupants have made contact with human experiencers,

and the visiting strangers have at times left behind materials of various kinds that defy analysis. Why not

gather together stories and legends about that aspect of the UFO phenomenon into a single volume that

provides an overview of some of the most compelling of such incidents?

In his introduction, publisher and writer Tim R. Swartz explains the idea this way:

“We have named it ‘Alien Artifacts,’” Swartz writes, “but actually we are using this term not so

much to say that we believe that we have recovered things from ‘extraterrestrial spaceships,’ but

because what we are discussing in this book is ‘alien’ as they don’t appear to have a ‘normal’

explanation for their origins. On top of that, we are also going beyond the strange bits of metal that

have surfaced following UFO encounters. An ‘alien artifact’ can be a lot of different things, and we want

to open your eyes to that fact.”


As an example, Swartz tells the story of Wisconsin farmer Joe Simonton, who was shocked to

see a metallic UFO land outside his house. He rushed outside and saw a hatch opening from the craft,

looking “just like the trunk of your car.” Inside were three “little men” about five feet tall and wearing

dark turtleneck shirts and helmets. One of the creatures held up a metallic jug, gesturing that he would

like to have it filled up with water. Simonton filled up the jug and returned it to the little man.

Simonton looked inside the ship and saw another little man cooking “pancakes” on a smooth,

square, grill-like surface. Hoping to start a conversation, the farmer gestured that he would like to try

the food. The man handed him four of the pancakes, which Simonton said were “hot and greasy.” Out of

politeness, Simonton tried one of the pancakes, which he said tasted like cardboard. The food was so

unappetizing that he speculated it might account for the creatures’ diminutive size.

The pilot then indicated that Simonton should step back and closed the hatch. The craft rose up

vertically, “like an elevator,” shot off into the sky and quickly disappeared.

Swartz goes on to write that, unlike thousands of other UFO reports, this one came with actual

physical evidence in the form of strange, bubbly textured pancakes. After the story got out, the Air Force

sent their top UFO investigator, Dr. J. Allen Hynek, to look into the case. According to Hynek, there was

no doubt that Simonton felt his encounter was a real experience. The Air Force had the pancake samples

tested and found they were ordinary “buckwheat pancakes” consisting of fat, starch, buckwheat hulls

and soybean hulls. In spite of the earthly origin of the pancakes, the Air Force labeled the case as

“unknown.” “Alien Artifacts” includes a photo of Simonton holding one of the pancakes.


I contribute a chapter called “The Alien Glittering of True Gold” in which I discuss works of art

created by the Quimbaya, natives of Columbia, South America, who were believed to inhabit the region

from 300 to 1550 CE and are best known for their precise gold and metal work. Most of the Quimbaya

pieces discovered by archeologists were an alloy of gold and 30 percent copper, called “tumbaga,” and

very similar to a metal mentioned by Plato in his dialogues about the Lost City of Atlantis. The objects

included golden models of several types of insects along with devices that are aerodynamic in nature

and shaped like no insect known to exist.

Some of the ancient pieces look very much like the designs of modern airplanes and incorporate

a number of features that essentially prove that the Quimbaya knew and understood principles of flight.

Some of the models include tail rudders and propellers. The existence of so many similarities to modern-

day airplanes supports the “Out-of-Place-Artifact” theory: they seem too advanced for the Quimbaya.

It has been theorized for years that some of the Quimbaya objects are scale models of airplanes

or flying machines. Two aeronautical engineers, Peter Belting and Conrad Lubbers, used the dimensions

of the Quimbaya artifacts to create large-scale models which proved successful in flight testing. They

proved that the designs fly with both simple single-propeller power and jet power. It’s more than just a

coincidence that the artifacts can be scaled up and actually fly.

There is another intriguing phenomenon at play here, which happens after a remote culture is

visited for the first time with technology present. Isolated tribes visited in both Africa and South America

by airplanes have demonstrated shifts in religious beliefs after the visit. One of the tribes welcomed the

plane on its second visit with ceremonial fire and statues constructed in the shape of the airplane. Tribal

people even went so far as to line themselves along a runway to greet the visitors.

If remote cultures exhibit this sort of behavior during the world’s modern technological era,

then likely the same concept has played out before. From this angle of thinking, theories then suggest

that the Quimbaya may have been influenced by another ancient culture, or, perhaps, some sort of alien



The artifacts phenomenon also has connections to not just remote and ancient cultures but to

current day pop culture as well. In a chapter by Nigel Watson, called “John Lennon’s Egg,” the story is

told of how the aliens gifted a metallic egg to the late lamented Beatle and solo artist rocker.

Lennon announced he had seen a UFO on the sleeve of his “Walls and Bridges” album, writing

on the back cover: “On 23 August 1974, I saw a UFO. J.L.”

Lennon was estranged from Yoko Ono at the time and was living with girlfriend May Pang in a

New York apartment. It was a hot night and May was taking a shower when Lennon called to her from

the terrace, where she found him naked and pointing at a strange object in the sky.

May said it looked like a large flattened cone with a bright red light on top of it at a distance of

only 100 feet away. As the object came closer, it revealed a dazzling row of flashing white lights along its

rim. The couple made an unsuccessful attempt to photograph the object before it moved off out of

sight. The UFO returned a bit later and, although they were prepared this time with a telescope, the

object was too bright to discern any further details.

On another occasion, Lennon was in bed with Yoko when he awakened suddenly to see a

powerful searchlight shining outside the bedroom door. On opening the door, he found four thin,

human-sized bug-like entities whom he attempted to force out of his home. But before he could even

touch them, some invisible form of power held him back. They gently held his hands and pushed his legs

into a tunnel of light where he was shown an “outstandingly beautiful” movie of his life. Then his mind

went blank and he woke to find himself lying in bed with Yoko again.

Lennon was sure he had not been tripping or dreaming. As evidence of this encounter he found

an egg-like metallic object in his hands when he woke up next to Yoko. The solid object with no markings

was too weird even for Lennon. He speculated that it was a ticket to an alien planet but he was quite

happy with New York.

He gave the egg to psychic spoon-bender Uri Geller, who has kept it ever since. Geller would

later say, “When I hold the cold metal egg in my fist, I have a strong sensation that John knew more

about this object than he told me. Maybe it didn’t come with an instruction manual, but I think John

knew what it was for.” Geller said he has never submitted the egg for scientific analysis because he

wants to maintain its “mysticism.”


Before he died in 2021, Timothy Green Beckley had been in the UFO game for 60 years and it was hard

to impress him with anyone claiming to have the “real thing,” or concrete proof that aliens had visited

Earth and left behind artifacts that irrefutably demonstrated that reality.

In an interview Beckley conducted, along with his cohost Tim R. Swartz, on their podcast “Exploring the

Bizarre,” one of the rarest examples of just such an artifact was the subject of their conversation with

John Peele, a health food restauranteur and long distance runner, whose story was spine-tingling in the


“It’s a very strange and odd case,” Beckley began. “One of the most peculiar I’ve been involved in. It

includes meeting Mr. John Peele in late 1978 or early 1979 in Florida. At the time, he owned a health

food store and restaurant and had a very unusual artifact that he had located while running across the

Arizona desert. It is one of the few alien artifacts that we can actually point to as existing.

“We hear about the Roswell UFO crash,” Beckley continued, “and deceased alien bodies strewn across

the desert, but there’s very little proof – Roswell fanatics will go for the jugular on this one – there is

very little proof that any of that took place.”

Beckley was editing “UFO Review,” a tabloid newspaper focused on the titular phenomenon, and had

published a small number of books, when he first met Peele while on a promotional tour and fact-

finding mission in Florida. Along the way, Beckley got Peele’s phone number and Peele invited him to

visit his home.


“He showed me this – well, I call it an alien artifact – I don’t know what else you would call it – and it

took my breath away,” Beckley recalled. “There’s been nothing like this before.”

Beckley said he has discussed the find with several people and has been greeted on occasion by total

disbelief. Where is the artifact? Where is the witness? Decades later, Beckley found Peele on Facebook

and invited him to appear on “Exploring the Bizarre.”

Peele found the artifact in 1977, while on a long-distance run from Daytona Beach, Florida, to Santa

Monica, California. (Peele is such a well-known cross country runner that he was consulted by the

makers of the hit movie “Forrest Gump,” who wanted firsthand information on what it’s like to run the

kind of distances portrayed in the movie by actor Tom Hanks.) Peele and his running companion

averaged 48 miles a day.

In Arizona, Peele and his companion parted ways, which they often did, having run out of conversation

after spending so much time side-by-side.

“You go your different ways and discuss it later,” Peele explained.


Peele said he had unknowingly run into a government restricted area, where he came upon railroad

tracks that resembled a roller coaster ride.

“It was pulled out,” he said, “and because of the way that railroads are connected, one rail to the next, it

literally made loops. It was quite bizarre and I did not know what I was seeing at the time. I’m still not a

hundred percent sure. But I went over towards that and started following it. And at one point I came

upon a large – what looked to me, and I’m a fighter pilot, so I say this with some knowledge – I saw what

looked like a wing.”

The “wing” was extremely thin and, though it was eight-feet long, it was so light that Peele was able to

use two fingers and hold it horizontally with no problems. The wing was also very strong but it was still

possible to bend it. He began to gather other little “remnants” of what he felt was an obvious crash.

There was a kind of Plexiglas or carbon glass present that was unbreakable, although some of it had

shattered from impact into the rocks in the desert.

“But you could pick up a piece of it and you could not break it,” he said. “I didn’t bring any of that. I was

a little bit concerned that this might be radioactive. I didn’t know what I was dealing with.”


“And then I found the glove,” Peele said.

There were actually two gloves. Again, not knowing if the objects were radioactive, and whether he

might have to at some point simply get rid of the gloves, Peele hid one in a small cavern under some

rocks. He acknowledges that the markings he used wouldn’t be there now, but he has enough of a visual

memory stored in his mind that he feels confident he could find the glove and wreckage debris again.

One of the two gloves was in much better condition than the other, so, in case he eventually had to get

rid of them, he preferred to keep the one in good condition hidden away in the Arizona desert. Since it

turned out he was able to keep the glove, he said, he should have brought the good one home.

In any case, the gloves were made with some sort of a hide. They had a pressure valve on the

outside/backside of the hand. There was a zipper that worked from the inside and enclosed something

very similar to Nomex, a fire retardant fabric first developed by DuPont in the 1960s.

The glove was so small that there was no way it could have fit a human hand. There was a prehensile or

“opposable” thumb, meaning a thumb that can be placed opposite the fingers of the same hand, thus

allowing the digits to grasp and handle objects. Opposable thumbs are characteristic of primates, such

as human beings, and were a crucial step in our evolution.

“When you hold it,” Peele said, “you understand that it is not from Planet Earth. You can’t look at it and

see how it was made and see how detailed everything is. But there’s no hand that would fit it that could

be used for any particular reason that we know.”

The glove also had what seemed like writing, mainly incomprehensible and most likely nonhuman

words. But Peele was able to read the English words “secure” and “large.”


At this point in the interview, Beckley interjected, “In this field, physical evidence like an alien artifact is

almost impossible to come by and is always in dispute. But there is something so strange and peculiar

about this that it almost sends chills up and down one’s spine. OK, here’s the glove. We don’t know who

it belonged to. Would an alien race be that close to us that they would have a glove? And have four

fingers and a prehensile thumb? It would indicate to me that we might be talking about something from

the future or something from a parallel universe.”

Peele replied, “I’ve certainly given the parallel universe concept much thought. But that’s what was so

cool about this glove. People would hold it and say, ‘Ooh, it’s like my hands are tingling.’ Everybody who

saw it – I don’t want to say they were freaked out, but they WERE freaked out.

“A large number of people did see it,” he continued, “because I would show it in my store. It was called

21 st Century Foods and was the first vegetarian restaurant and health food store in the area. I would

keep it in the restaurant there and people would come in. They had heard about it because it did have

some news media coverage.”

People would ask to see the glove and it sometimes caused some of the curiosity seekers to become so

unnerved that they would exit the restaurant.

“Most people watch ‘Star Trek’ or whatever,” Peele reasoned, “but they don’t really want that to be

real. Other people DO want it to be real. I’ve always felt we cannot be egotistical enough to think we are

the only humanoid-type beings in the universe. Think about the variety of people on our planet and then

expand that to over a few thousand light years away. We have to have others that are similar to us –

more advanced, less advanced. Not as nice, nicer. They’re out there.”

“Alien Artifacts: Incredible Evidence of Exotic Material from UFO Encounters” also features

chapters on subjects like the falling of “angel hair” from the sky, a miniature UFO “captured” by young

boys in Japan, and much more, making it an impressive collection of paranormal lore and educated

speculation on some of what the aliens have left behind after their encounters with earthlings. The book

quite likely stands alone in that regard, approaching the UFO subject from a truly unique vantage point

that brings the scientific analysis of the bizarre remains at least into the realm of possibility.

Sean Casteel








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